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Bertien Van Manen
Moonshine



Bertien Van Manen: Moonshine

112 Seiten mit 78 Farbtafeln, Text in englischer Sprache, 22,5 x 23,5 cm, 2014, gebunden

Bestell-Nummer: 99452M
EUR 14.99 (statt 40.00)
Lagertitel, lieferbar in 3 Werktagen

in den Warenkorb        

versandkostenfrei in Deutschland ab EUR 26.00


Spanning almost three decades, ´Moonshine´ is a portrait of the American Appalachian folk, a mythologised region populated by ‘moonshiners’. Van Manen’s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother.

Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia – the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work – another register of time passing and the inevitability of change.

Bertien Van Manen: Moonshine

112 Seiten mit 78 Farbtafeln, Text in englischer Sprache, 22,5 x 23,5 cm, 2014, gebunden

Bestell-Nummer: 99452M    EUR 14.99 (statt 40.00)
Lagertitel, lieferbar in 3 Werktagen

in den Warenkorb        

versandkostenfrei in Deutschland ab EUR 26.00


Spanning almost three decades, ´Moonshine´ is a portrait of the American Appalachian folk, a mythologised region populated by ‘moonshiners’. Van Manen’s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother.

Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia – the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work – another register of time passing and the inevitability of change.



Weitere Bücher des gleichen Autors : Bertien Van Manen



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