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Mikhael Subotzky
Retinal Shift
ausgezeichnet mit dem deutschen Fotobuchpreis 2013 in Silber



Mikhael Subotzky: Retinal Shift.

453 Seiten mit zahlreichen Farbfotos, Text englisch, 19 x 26 cm, Göttingen 2012, Leinen gebunden

Bestell-Nummer: 99469S
EUR 19.80 (statt 38.00)
lieferbar innerhalb 10 Werktagen

in den Warenkorb        

versandkostenfrei in Deutschland ab EUR 26.00


Retinal Shift is the catalogue for Mikhael Subotzky’s 2012 Standard Bank Young Artist Exhibition, which will tour every major museum in South Africa. Retinal Shift investigates the practice and mechanics of looking – in relation to the history of Grahamstown, the history of photographic devices, and Subotzky’s own history as an artist. The works draw on archival portraits from the last century, found surveillance footage, as well as Subotzky’s own photographs from various series’ that he re-contextualizes.

The opening work in the book is a self-portrait that Subotzky made with the assistance of an optometrist. High-resolution images of his left and right retinas sit side by side. Says Subotzky: “I was fascinated by this encounter. At the moment that my retinas, parts of my essential organs of seeing, were photographed, I was blinded by the apparatus that made the images.

Subotzky adopts the directness of the social documentary mode while questioning the photographic medium itself. Over the past eight years,his work has focused on the inside and outside of South Africa’s notorious prisons, the small town of Beaufort West, and Ponte City, a single iconic building in Johannesburg

Mikhael Subotzky: Retinal Shift.

453 Seiten mit zahlreichen Farbfotos, Text englisch, 19 x 26 cm, Göttingen 2012, Leinen gebunden

Bestell-Nummer: 99469S    EUR 19.80 (statt 38.00)
lieferbar innerhalb 10 Werktagen

in den Warenkorb        

versandkostenfrei in Deutschland ab EUR 26.00


Retinal Shift is the catalogue for Mikhael Subotzky’s 2012 Standard Bank Young Artist Exhibition, which will tour every major museum in South Africa. Retinal Shift investigates the practice and mechanics of looking – in relation to the history of Grahamstown, the history of photographic devices, and Subotzky’s own history as an artist. The works draw on archival portraits from the last century, found surveillance footage, as well as Subotzky’s own photographs from various series’ that he re-contextualizes.

The opening work in the book is a self-portrait that Subotzky made with the assistance of an optometrist. High-resolution images of his left and right retinas sit side by side. Says Subotzky: “I was fascinated by this encounter. At the moment that my retinas, parts of my essential organs of seeing, were photographed, I was blinded by the apparatus that made the images.

Subotzky adopts the directness of the social documentary mode while questioning the photographic medium itself. Over the past eight years,his work has focused on the inside and outside of South Africa’s notorious prisons, the small town of Beaufort West, and Ponte City, a single iconic building in Johannesburg



Weitere Bücher des gleichen Autors : Mikhael Subotzky
Mikhael Subotzky: Ponte City



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