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Sergio Larrain
London 1959



Sergio Larrain: London 1959

176 Seiten mit 94 SW-Fotos, Text in englischer Sprache, 19,1 x 24,9 cm, NEW YORK 2021, gebunden

Bestell-Nummer: 90084L
EUR 59.80
lieferbar innerhalb 2 Wochen

in den Warenkorb        

versandkostenfrei in Deutschland


In this new edition of London, including previously unpublished photographs and visual references, Sergio Larrain presents a powerful portrait of a city on the brink of a new era.

In the winter of 1958, Sergio Larrain traveled to London. He spent just a few months there, photographing subjects that interested him and embracing the shadows of the city. In the cold and damp, his images captured a tangible darkness in which he could “materialize that world of phantoms.” A few years later, he joined Magnum Photos and set off around the world, before retiring to the Chilean countryside and leaving photography behind.

The book also features a text by the late Chilean writer Roberto Bolaño—written in 1999 specifically to accompany these images—as well as a new essay by Agnès Sire, artistic director of Fondation Henri Cartier-Bresson, detailing Larrain’s stay in London.

Sergio Larrain: London 1959

176 Seiten mit 94 SW-Fotos, Text in englischer Sprache, 19,1 x 24,9 cm, NEW YORK 2021, gebunden

Bestell-Nummer: 90084L    EUR 59.80
lieferbar innerhalb 2 Wochen

in den Warenkorb        

versandkostenfrei in Deutschland


In this new edition of London, including previously unpublished photographs and visual references, Sergio Larrain presents a powerful portrait of a city on the brink of a new era.

In the winter of 1958, Sergio Larrain traveled to London. He spent just a few months there, photographing subjects that interested him and embracing the shadows of the city. In the cold and damp, his images captured a tangible darkness in which he could “materialize that world of phantoms.” A few years later, he joined Magnum Photos and set off around the world, before retiring to the Chilean countryside and leaving photography behind.

The book also features a text by the late Chilean writer Roberto Bolaño—written in 1999 specifically to accompany these images—as well as a new essay by Agnès Sire, artistic director of Fondation Henri Cartier-Bresson, detailing Larrain’s stay in London.



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