William Eggleston: Democratic Camera. Photographs and Video, 1961-2008.
320 Seiten mit 13 SW- und 227 Farb-Abbildungen, Text englisch, 25 x 29 cm, Whitney-Museum, New York 2008, Leinen gebunden mit Schutzumschlag, Zustand sehr gut bis neuwertig
Bestell-Nummer:
Elvis’s Graceland, a freezer stuffed with food, a Gulf gasoline sign standing in a deserted rural landscape—these are only a few of the iconic images captured by the “democratic camera” of photographer William Eggleston. Not only has he drawn upon images so telling of American culture, he has produced them with an intensity and balance of color that have helped elevate the entire field of color photography to a fine art, especially since his 1976 exhibition at the Museum of Modern Art.
Drawing together Eggleston’s famous and lesser-known works, this lavishly illustrated catalogue is the first to examine both his photography and videos. Of particular relevance are his black-and-white images from the late 1950s and 1960s, which helped shape his color photography, as well as the relationship between his provocative video recordings of 1970s Memphis nightlife and his later work. Included are reproductions of newly restored prints, executed specifically for the exhibition.
William Eggleston: Democratic Camera. Photographs and Video, 1961-2008.
320 Seiten mit 13 SW- und 227 Farb-Abbildungen, Text englisch, 25 x 29 cm, Whitney-Museum, New York 2008, Leinen gebunden mit Schutzumschlag, Zustand sehr gut bis neuwertig
Bestell-Nummer:
Elvis’s Graceland, a freezer stuffed with food, a Gulf gasoline sign standing in a deserted rural landscape—these are only a few of the iconic images captured by the “democratic camera” of photographer William Eggleston. Not only has he drawn upon images so telling of American culture, he has produced them with an intensity and balance of color that have helped elevate the entire field of color photography to a fine art, especially since his 1976 exhibition at the Museum of Modern Art.
Drawing together Eggleston’s famous and lesser-known works, this lavishly illustrated catalogue is the first to examine both his photography and videos. Of particular relevance are his black-and-white images from the late 1950s and 1960s, which helped shape his color photography, as well as the relationship between his provocative video recordings of 1970s Memphis nightlife and his later work. Included are reproductions of newly restored prints, executed specifically for the exhibition.
Weitere Bücher des gleichen Autors : William Eggleston William Eggleston: At Zenith William Eggleston: Chromes William Eggleston: Election Eve William Eggleston: Flowers William Eggleston: Morals of Vision William Eggleston: Mystery of the Ordinary William Eggleston: Polaroid SX-70 William Eggleston: The Democratic Forest William Eggleston: The Outlands William Eggleston: William Eggleston
Fotobuch Schnäppchen >Lagerräumung Einzelstücke Restposten -preisreduzierte antiquarische Foto-Bildbände -preisreduzierte antiquarische Fototechnik -preisreduzierte antiquarische Kamera-Geschich -preisreduzierte antiquarische Zeitschriften Sonderangebote: diverse Themen Betriebsanleitung Kamera Erotische Fotografie Bildbände Fotobuch Antiquariat Fotografen - Monographien Foto Bildbände: nach Themen Foto Bildbearbeitung Foto-Kurse auf DVD Foto Lehrbuch Kalender 2024 Kamerageschichte von Agfa bis Zeiss Kamera-Prospekte (Originale) Kamera-Systembücher Stereofoto: Bildbände + Lehrbücher NEU : Online-Themen-Kataloge