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  FOTO-BUCHHANDLUNG






Robert Heinecken.
Edited by James Enyeart.

160 Seiten mit 58 Farb- und 39 SW-Abbildungen, Text englisch, 31 x 23,5 cm, 2000 nummerierte und signierte Exemplare (dieses ist Exemplar Nr. 1258), Friends of Photography 1980, Leinen gebunden, Exemplar ein bisschen angestaubt aber sonst in sehr gutem Erhaltungszustand.

Bestell-Nummer:






This is the first major publication of Heinecken´s work. Robert Heinecken is one of the most innovative and influential artists of the second half of the 20th century. He was a pioneer of postmodern photographic practices, and his work anticipated the Pictures Generation artists of the 1970s and 1980s who practiced the appropriation of images from advertising and the media. A self-described ´para-photographer,´ Heinecken was always challenging the conventions of the then-accepted ´canon´ of photography. He transformed the possibilities of the medium, and had a profound impact on many photography-based artists who studied with him.Influenced by Dada and Surrealism, especially Marcel Duchamp, Man Ray and John Heartfield, Heinecken worked with numerous photographic techniques and materials, oftentimes combining them with various printmaking processes.

Robert Heinecken.
Edited by James Enyeart.

160 Seiten mit 58 Farb- und 39 SW-Abbildungen, Text englisch, 31 x 23,5 cm, 2000 nummerierte und signierte Exemplare (dieses ist Exemplar Nr. 1258), Friends of Photography 1980, Leinen gebunden, Exemplar ein bisschen angestaubt aber sonst in sehr gutem Erhaltungszustand.

Bestell-Nummer:     





This is the first major publication of Heinecken´s work. Robert Heinecken is one of the most innovative and influential artists of the second half of the 20th century. He was a pioneer of postmodern photographic practices, and his work anticipated the Pictures Generation artists of the 1970s and 1980s who practiced the appropriation of images from advertising and the media. A self-described ´para-photographer,´ Heinecken was always challenging the conventions of the then-accepted ´canon´ of photography. He transformed the possibilities of the medium, and had a profound impact on many photography-based artists who studied with him.Influenced by Dada and Surrealism, especially Marcel Duchamp, Man Ray and John Heartfield, Heinecken worked with numerous photographic techniques and materials, oftentimes combining them with various printmaking processes.




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